We had to remove an image (or images) from your account because they violated our Terms of Use. Our site is for people as young as 14, so we can't have certain kinds of pics (nude/sexually explicit, violence). Find out more about content we don’t allow here. If you continue to violate our Terms, we may be forced to remove your account.You may feel singled out, but be assured that we delete each and every one of these images as we locate them. If you find an image which you feel is in violation of our Terms, please feel free to use the 'report image' link below the image.Thanks for your understanding.MySpace Safety & Security**************************************************** ************************************************************ ************************************************************ ******i am haunted by the image of a man in a red sweater that i saw from my hotel room window last night...he staggers down the street, berating the unthinkable that has just happened...he screams, "no"... above his head, a single black helium-filled balloon rises into the air, and floats passed my window...he is losing everything that he has...****************************************************** ************************************************************ ************************************************************ ****Richard Hancock (b. 1977, UK) is an artist working across the fields of performance, installation, text, video and photography . Since 2001, he has collaborated with Traci Kelly on a body of work questioning the boundaries of individual and collaborative practice, most notably through their series of 'Lone Duets'. The resulting works have been a series of intimate and queer events, both moving and spectacular, exploring the liminal and differential spaces between disparate subjects.His current practice exists at the intersection of dance and visual art, questioning the possibilities of 'choreographic' practice as a process and structure for 'fine art' enquiry. The qualities of skin and paper, as cultural and material membranes, are explored as potential sites for 'abrasion' and dual-contact.His wider areas of interest surround questions of cultural and racial whiteness, masculinity, and non-reproductive sexualities. His engagement with art is fundamentally a phenomenological practice, and he is currently invested in the potential for his work to explore a 'queer' and 'queered' phenomenology. He has performed and exhibited extensively throughout the UK and Europe, and in Australia and South America. He is currently based in San Francisco, USA.******************************************************** ************************************************************ ************************************************************ **Further details of Richard Hancock's collaboration with Traci Kelly can be found at: www.hancockandkellylive.com********************************* ************************************************************ ************************************************************ ****************************CURRENT WORK******************************************************** ************************************************************ ************************************************************ *****LONE DUETS (with Traci Kelly) - a series of solo performances made alternately by hancock and kelly in response to one another's works. a game of performance chess. a re-thinking of collaboration. a chain reaction. a viral infection. an excercise in contamination... the series includes: Richard Hancock 'Dermographia' (2005), Traci Kelly 'In Season' (2006), Richard Hancock 'Postures A-to-M' (2006), Traci Kelly 'The Mirror Pool' (2007), Richard Hancock 'Open Wound' (2007), and Traci Kelly 'Rupture' (2008)...further details can be found online at www.hancockandkellylive.com ************************************************************ ************************************************************ ********************************************************** THREEPOINTTHREESEVEN (with Julie Vulcan) - a year long project dedicated to the possibilities of new space. on april 16th 2007, richard hancock listened to a favourite piece of music for the last time. its duration was 3 minutes and 37 seconds. on the 16th of each month, for the next year, julie vulcan memorialised that moment by listening to the same music. richard hancock found something new to fill that time... ************************************************************ ************************************************************ ********************************************************** I AM H_UNTED BY... (I AM HAUNTED BY...) - a process-based work for seven participants. each participant will stand for 7 hours, for 7 nights, on a street corner at a crossroads in the city. they will have only two thoughts to keep them warm: i am h_unted by.../i am haunted by... ************************************************************ ************************************************************ ********************************************************** SIDEWALK DANCES - a series of short texts notating the emotional, psychical, and physical choreographies of encounters with strangers in the street. texts developed in san francisco, ca. ************************************************************ ************************************************************ ********************************************************** I AM H_UNTED BY... (I AM HAUNTED BY...) - text for australian radio project 'longing and its double' by sarah-jane norman. intimacy, distance. i miss you... ************************************************************ ************************************************************ ********************************************************** SELF-SUCK- a series of photographic self-portraits capturing the body in stress-positions. the images capture a tense state between movement and stillness, strength and collapse, preparation and intuition... ************************************************************ ************************************************************ **********************************************************
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