The first time that many people ever heard of Johnny Paycheck was in 1977, when his "Take This Job and Shove It" inspired one-man wildcat strikes all over America. The next time was in 1985, when he was arrested for shooting a man at a bar in Hillsboro, OH. That Paycheck is remembered for a fairly amusical novelty song and a violent crime (for which he spent two years in prison) is a shame, for it just so happens that he is one of the mightiest honky tonkers of his time. Born and raised in Greenfield, OH, Paycheck was performing in talent contests by the age of nine and riding the rails as a drifter by the time he turned 15. After a Navy stint landed him in the brig for two years, he arrived in Nashville, where he performed in the bands of Porter Wagoner, Faron Young, Ray Price, and George Jones. He recorded several singles under the name Donny Young, then, in 1965, cut his first sides as Johnny Paycheck for the Hilltop label. A year later, he and gadfly producer Aubrey Mayhew started the Little Darlin' label, for which Paycheck recorded his greatest work. Marked by Lloyd Green's knockout steel guitar and Paycheck's broad, resonant vocals (not to mention his rounder's sense of humor) his Little Darlin' records of the 1960s have since become cult favorites. After splitting with Mayhew (and after running his life into the gutter) Paycheck made a celebrated comeback on Epic in the 1970s. "Take This Job and Shove It" was the most famous result, though ballads like "She's All I Got" and "Someone to Give My Love To" are far more indicative of his stylistic range.
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