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NamesJimi Hendrix was born Johnny Allen Hendrix, the son of Al Hendrix and Lucille Jeter Hendrix, in Seattle, Washington on November 27, 1942. As a toddler and young boy he was known as Buster, a family nickname inspired by the early 20th century comic strip character Buster Brown. In 1946, Al changed the legal name of his son to James Marshall Hendrix, which it remained until his death. As a school-age boy and young adult, he was simply known as Jimmy or James. In his early career, Hendrix used the stage name Maurice James and later Jimmy James. He did not assume the moniker Jimi until after his discovery in 1966, but most writings refer to him as Jimi throughout the timeline of his life for the purpose of consistency.

YouthHendrix grew up as a shy and sensitive boy, deeply affected by the conditions of poverty and neglect that he was raised in, and by the troubling family events of his childhood - namely his parents' divorce when he was nine, and the death of his mother in 1958.Young Hendrix was particularly fond of Elvis Presley and Little Richard. His early exposure to Blues music came from listening to records by Muddy Waters and Lightnin Hopkins with a boarder his father rented a room to for a period. Another impressionable image came from the 1954 western Johnny Guitar, in which the hero carries no gun but instead wears a guitar slung behind his back.At about age fourteen, Jimi acquired his very first guitar, a severely battered acoustic with one string that he retrieved when another boy had thrown it away. Young Jimi proudly slung his guitar behind his back like the hero in Johnny Guitar, and tried to coax every sound possible from its one string. His first electric guitar was a white Supro Ozark, his father bought for him. He learned simply by practicing and watching others play, and he emulated the flashy moves of T-Bone Walker and the duck walk of Chuck Berry.His first gig was with an unnamed band in the basement of a synagogue. After too much wild playing and showing off, he was fired between sets. The first formal band he played in was The Velvetones, who performed regularly at the Yesler Terrace Neighborhood House without pay. His flashy style and left-handed playing of a right-handed guitar were already drawing attention. When his guitar was stolen (after he left it backstage overnight), Al bought him a white Silvertone Danelectro which Jimi promptly painted red and emblazoned with the words Betty Jean, the name of his high school girlfriend.

Military ServiceAfter getting into trouble with the law over a stolen car, Hendrix traded a two-year jail sentence for enlistment in the U.S. Army and was stationed at Fort Campbell, Kentucky. At the post recreation center, he met fellow soldier and bass player Billy Cox, and forged a loyal friendship. The two would often play with other musicians at venues both on and off the post as a loosely organized band named The Kasuals.After less than a year he was discharged for "behavior problems." For decades, Hendrix's statement to reporters that he received a medical discharge after breaking his ankle during a parachute jump was perceived as fact, but his discharge papers (uncovered in 2005) reveal that he was deemed an incompetent soldier, more interested in his guitar than in his duties.[2]The 2005 biography Room Full of Mirrors by Charles Cross claims that Hendrix faked being homosexual in order to be discharged. According to Cross, Hendrix was an avid anti-communist and did not leave the Army as a protest to the Vietnam War, but simply wanted out so he could focus on playing guitar.

The SouthAfter leaving Ft. Campbell, Hendrix and Billy Cox moved to nearby Clarksville, Tennessee and re-formed their band as The King Kasuals. The group toiled in low-paying gigs at obscure venues, eventually moving to Nashville. There they played and sometimes lived in the clubs along Jefferson Street, the traditional heart of Nashville's black community, and home to a lively rhythm and blues scene.[3] In November 1962, Hendrix participated in his first studio session, where his wild but still undeveloped playing found him cut from the soundboard.For the next three years, Hendrix made a precarious living on the Chitlin Circuit, performing in black oriented venues throughout the South with both the King Kasuals and in backing bands for various soul, R&B, and blues musicians including Chuck Jackson, Slim Harpo, Tommy Tucker, Sam Cooke, and Jackie Wilson. The Chitlin Circuit was an important phase of Jimi's career, since the refinement of his style and blues roots occurred there. Unfortunately his work garnered him little fame or profit, and the extremes of racism and poverty that he endured left an indelible mark of hardship on his memories of this era.

New YorkFrustrated by his experiences in the South, Hendrix decided to try his luck in New York City. In January 1964, he moved to Harlem, where he quickly befriended girlfriend Lithofayne "Faye" Pridgeon and the Aleem twins, Taharqa and Tunde-Ra. The Aleem twins quickly became loyal friends who kept Hendrix out of trouble in New York and later helped him foster his relationship with the black community and deal gracefully with radical groups like the Black Panthers. The twins also performed as backup singers on some of his recordings, most notably the funk anthem "Freedom". Pridgeon, a beautiful Harlem native with connections throughout the area's music scene, provided Hendrix with shelter, support, and encouragement during the poorest and most desperate years of his life. In February 1964, Hendrix won first prize in the Apollo Theater amateur contest—the win was encouraging, but in general he found the New York scene difficult to break into.

R&B toursAfter only two months in New York, Hendrix earned a spot as the new guitarist for the The Isley Brothers band and joined their national tour, which unsurprisingly included the southern Chitlin Circuit. Hendrix played his first successful studio session on the two-part Isley Brothers hit "Testify". In Nashville, he left the Isleys to tour with Gorgeous George Odell. In Atlanta, he earned a spot in the backing band of Little Richard known as The Upsetters. Although Hendrix idolized Richard (he was once quoted as saying, "I want to do with my guitar what Little Richard does with his voice"), he clashed frequently with the star over tardiness, wardrobe, and above all, Hendrix's flashy stage antics. For a short while, Hendrix quit and toured with Ike and Tina Turner, but was quickly fired for playing wild guitar solos and returned to Little Richard's band. Months later, he was banished from The Upsetters after missing the tour bus in Washington DC. Around this time he refined his flamboyant guitar stage style, much of which was influenced by Johnny "Guitar" Watson.In the fall of 1965, Hendrix joined a New York-based band, Curtis Knight and the Squires, after meeting Knight in the lobby of a seedy midtown hotel where both men were living at the time. Hendrix then toured for two months with Joey Dee and the Starliters before rejoining the Squires in New York. On October 15, 1965, Hendrix signed a 3-year recording contract with entrepreneur Ed Chalpin, receiving $1 and 1% royalty on records with Curtis Knight. The relationship with Chalpin was short-lived, and Hendrix moved on to other opportunities. However, from a legal point of view, his contract remained in force, which caused considerable problems for Hendrix later on in his career. The result was a legal dispute which was eventually settled.As 1966 dawned, Hendrix toiled in the New York club scene and dreamed of breaking out on his own as a bandleader. Unfortunately, black audiences in Harlem were not receptive to his progressive style. Hendrix would find a much better reception with the eclectic mix of patrons in the clubs of Greenwich Village.

Greenwich VillageIn the summer of 1966, Hendrix formed his own band, Jimmy James and The Blue Flames, composed of various friends he would casually meet at Manny's Music Shop, including a 15-year old runaway from California named Randy Wolfe. Since there were two musicians named "Randy" in the group, Hendrix dubbed Wolfe "Randy California" and the other "Randy Texas". Randy California would later co-found the band Spirit with Ed Cassidy.Hendrix and his new band quickly gained local fame and played throughout New York City, but their primary spot was a residency at the Cafe Wha? on MacDougal Street in the West Village. During this period Hendrix met and worked with singer-guitarist Ellen McIlwaine and guitarist Jeff "Skunk" Baxter, who was an employee at Manny's. Hendrix also met iconoclast Frank Zappa during this time. Zappa is credited as having introduced Hendrix to the newly-invented wah-wah pedal. Although the wah-wah was initially considered and used as a "gimmick" effect, Hendrix soon mastered it and made an integral part of his sound, and he is still widely regarded as the greatest exponent of wah-wah guitar.

DiscoveryIn 1965, guitar pioneer and producer Les Paul watched Hendrix audition for a nightclub gig in Greenwich Village, NYC, and was awestruck by his performance. An errand forced Les Paul to leave the club before he had the chance to speak with Hendrix. When he returned later to contact and sign Hendrix, Les Paul found that the club owner had turned Hendrix down for being too loud and crazy, and that Hendrix had disappeared.Early in 1966 at the Cheetah Club on West 21st Street, Linda Keith, then girlfriend of Rolling Stones guitarist Keith Richards, befriended Hendrix and could not believe that he had not been discovered. She recommended Hendrix to Stones manager Andrew Loog Oldham and then to producer Seymour Stein, but neither man took a liking to Hendrix's music and they both passed. She even brought the members of the Rolling Stones to a Blue Flames show, but the effort did not yield any results. She then referred Chas Chandler, who was ending his tenure as bassist of The Animals and looking for talent to produce. Chandler was enamored with the "folk" song "Hey Joe" and was convinced that he could create a hit single by remaking it into a rock song. When Hendrix launched into his own rendition of "Hey Joe", at the Cafe Wha?, Chandler became so excited that he spilled a drink on himself.Chandler brought Hendrix to London (reportedly convincing him to come with the promise of introducing him to his idol Eric Clapton) and signed him to a management and production contract with himself and ex-Animals manager Michael Jeffrey. Chandler then helped Hendrix form a new band, The Jimi Hendrix Experience, with guitarist-turned-bassist Noel Redding and drummer Mitch Mitchell.

UK successAfter a number of blockbuster European club appearances, word of the new star spread through the London music community. His showmanship and dazzling virtuosity made instant fans of reigning guitar heroes Eric Clapton and Jeff Beck, as well as members of The Beatles and The Who, whose managers signed Hendrix to The Who's record label, Track Records.Jimi's first single was a cover of "Hey Joe", crafted after folk-singer Tim Rose's slower revision of the song and adapted to Hendrix's emerging style. Backing the first single was Jimi's first songwriting effort, "Stone Free". Further success came with the original "Purple Haze", with a heavily distorted guitar sound, and the soulful ballad "The Wind Cries Mary". The three singles were all UK Top 10 hits. Onstage, Hendrix was also making a huge impression with fiery renditions of the BB King hit "Rock Me Baby" and an ultra-fast revision of Howlin Wolf's blues classic, "Killing Floor".Established as a star in the UK, Hendrix and his girlfriend Kathy Etchingham moved into a flat at 23 Brook Street in central London. The adjacent building at 25 Brook Street was once the home of baroque composer George Frideric Handel. Hendrix, aware of this musical coincidence, bought Handel recordings including Messiah and the Water Music. The two houses currently comprise the Handel House Museum, where both musicians are celebrated.

Are You ExperiencedMain article: Are You Experienced (album)The first Jimi Hendrix Experience album, Are You Experienced, was released in the UK on May 12, 1967. It contained no previous UK singles or any B sides ("Hey Joe/Stone Free," "Purple Haze/51st Anniversary" and "The Wind Cries Mary/Highway Chile"). Only The Beatles' Sgt. Pepper's Lonely Hearts Club Band prevented Are You Experienced from reaching No. 1 on the UK charts.At this time, the Experience extensively toured the United Kingdom and parts of Europe . This allowed Hendrix to develop his stage presence, which reached a high point on March 31, 1967 when he set his guitar on fire. Later, after he had caused damage to amplifiers and other stage equipment at his shows, Rank Theatre management warned him to "tone down" his stage act. On June 4, 1967, the Experience played their last show in England, at London's Saville Theatre, before heading off to America. The Sgt. Pepper's album had just been released days prior, and two Beatles (Paul McCartney and George Harrison) were in attendance at the show, along with a roll call of other UK rock stardom: Brian Epstein, Eric Clapton, Spencer Davis, Jack Bruce, and pop singer Lulu. In a courageous and brilliant display, Jimi chose to open the show with his own rendition of "Sgt. Pepper's Lonely Hearts Club Band", crafted minutes before taking the stage.Months later, Reprise Records released the US version of Are You Experienced, removing "Red House," "Remember" and "Can You See Me" to make room for the first three UK single A-sides. Where the UK album kicked off with "Foxy Lady," the American one started with "Purple Haze". The UK and US versions both offered a startling introduction to the Jimi Hendrix Experience, and the album was a blueprint for what had become possible on the electric guitar.

US successThe June 1987 cover of Rolling Stone magazine immortalizes Hendrix's iconic burning of Pete Townshend's guitar at the Monterey Pop Festival twenty years prior.Although quite popular in Europe at this time, the Experience had yet to crack America. Their chance came when Paul McCartney recommended the group to the organizers of the Monterey International Pop Festival. This proved to be a great opportunity for Hendrix, not only because of the large audience present at the event, but also because the performances were filmed by D. A. Pennebaker and later shown in movie theaters throughout the country as the concert documentary Monterey Pop, which immortalized Hendrix's iconic burning and smashing of his guitar at the finale of his performance.Following the festival, the Experience played a short-lived gig as the opening act for pop group The Monkees on their first American tour. The Monkees asked for Hendrix because they were fans, but their mostly teenage audience did not warm to his outlandish stage act and he abruptly quit the tour after a few dates. Chas Chandler later admitted that being "thrown" from The Monkees tour was engineered to gain maximum media impact and publicity for Hendrix. At the time, a story circulated claiming that Hendrix was removed from the tour because of complaints made by the Daughters of the American Revolution that his stage conduct was "lewd and indecent". Australian journalist Lillian Roxon, accompanying the tour, concocted the story. The claim was repeated in Roxon's 1969 Rock Encyclopedia but she later admitted it was fabricated.Meanwhile in England, Hendrix's wild-man image and musical gimmickry (such as playing the guitar with his teeth and behind his back) continued to bring publicity, but Hendrix was already advancing musically and becoming frustrated by media and audience concentration on his stage tricks and hit singles.

Experience breakupThe Jimi Hendrix Experience performed at London's Royal Albert Hall February 18 and February 24, 1969, two sold-out concerts which became the last British appearance of the band. A Gold and Goldstein-produced film titled "Experience" was also recorded at these two shows, but remains to this day unreleased.Noel Redding felt increasingly frustrated by the fact that he was not playing his original and favored instrument, the guitar. In 1968, he decided to form his own band "Fat Mattress", which would sometimes open for the Experience which Hendrix would jokingly refer to them as "Thin Pillow". Redding and Hendrix would begin seeing less and less of each other, which also had an effect in the studio, with Hendrix playing many of the basslines on Electric Ladyland.Redding was also increasingly uncomfortable with the hysteria surrounding Hendrix's performances. The last Experience concert took place on June 29, 1969 at Barry Fey's Denver Pop Festival, a three-day event held at Denver's Mile High Stadium that was marked by rioting and tear gas. The three bandmates were smuggled out of the venue in the back of a rental truck which was crushed by a mob of fans. The next day, Noel Redding announced that he had quit the Experience

Legal troublesThroughout 1969, Hendrix also encountered a number of legal difficulties. Firstly, a contractual dispute arose in relation to an unfavorable agreement that Hendrix had entered into with Ed Chalpin, a producer, long before he became successful. The dispute was resolved when the parties agreed that Hendrix would record an album specifically for Chalpin and that it would be released under his auspices. This was the genesis of the live album entitled Band of Gypsys. Then on May 3, 1969 Hendrix was arrested at Toronto's Pearson International Airport after heroin and hashish were found in his luggage. Hendrix argued in his jury trial defense that the drugs were slipped into his bag by a fan without his knowledge, and he was acquitted on that basis.

WoodstockHendrix's popularity eventually saw him headline the Woodstock music festival on August 18, 1969. Although a number of the world's most talented and popular musicians were invited to the festival, including The Who, The Grateful Dead, and Jefferson Airplane, Hendrix was considered to be the festival's main attraction. The band's $18,000 stipend was the highest of all Woodstock performers, and the group was given the top-billing position, scheduled to perform last on Sunday night.Due to enormous delays caused by bad weather and other logistical problems, he did not appear on stage until Monday morning, by which time the audience, which had peaked at over 500,000 people, had depleted to at most 180,000 - many of whom merely waited to catch a glimpse of Hendrix before leaving. The group was introduced at the festival as The Jimi Hendrix Experience, but Hendrix quickly conveyed the correct name of the band as Gypsy Sun and Rainbows and launched into a two hour set (the longest of his career) that was plagued with technical difficulties. Besides suffering microphone level and guitar tuning problems, it was also apparent that Jimi's new, much larger band was not rehearsed enough, and at times simply could not keep up with him. Despite this, Hendrix managed to deliver a historic performance, which featured his highly-appreciated rendition of the Star Spangled Banner, a solo improvisation which became a defining moment of the 1960s.

KidnappingIn September of 1969, Hendrix was apparently kidnapped and held for two days in New York City by men who appeared to be New York mobsters. The standoff ended when associates of manager Michael Jeffery appeared and peacefully regained custody of the rock star. No police or media reports of the incident exist, but Hendrix himself retold the story often when confiding with friends or associates about his management problems. He believed that Jeffery staged the kidnapping to bolster his role as manager or as a threat of some kind. The incident did occur at a time when Hendrix was at odds with Jeffery over the direction of his career.

DeathIn the early morning hours of September 18, 1970, Jimi Hendrix was found dead in the basement flat of the Samarkand Hotel at 22 Lansdowne Crescent in London. Hendrix died amid circumstances which have never been fully explained, and the exact details of his death will probably never be confirmed. He had spent the night with his German girlfriend, Monika Dannemann, and likely died in bed after drinking wine and taking nine Vesperax sleeping pills, then asphyxiating on his own vomit. For years, Dannemann publicly claimed that Hendrix was alive when placed in the back of the ambulance; however, her comments about that morning were often contradictory and confused, varying from interview to interview. Police and ambulance reports reveal that not only was Hendrix dead when they arrived on the scene, but he had been dead for some time, the apartment's front door was wide open, and the apartment itself empty. Following a libel case brought in 1996 by Hendrix's long-term British girlfriend Kathy Etchingham, Monika Dannemann allegedly took her own life.A sad poem written by Hendrix that was found in the apartment has led some to believe that he committed suicide. More speculative is the belief that Hendrix was murdered—forcibly given the sleeping pills and wine, then asphyxiated with a scarf by professionals hired by manager Michael Jeffery. The most accepted and credible theory, however, is that he simply misjudged the potency of the sleeping pills, and asphyxiated in his sleep due to an inability to regain consciousness when he vomited.Reports that Hendrix's tapes of the concept album Black Gold had been stolen from the London flat are in fact wrong: the tapes were handed to Mitch Mitchell by Jimi at the Isle of Wight Festival three weeks prior to his death. Hendrix's Greenwich Village apartment, however, was indeed plundered by an unknown series of vandals who stole numerous personal items, tapes, and countless pages of lyrics and poems, some of which have resurfaced in the hands of collectors or at auctions.

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