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Madoka

About Me

Metamotional
Madoka and Metamotional Music - NYC | MySpace


Madoka Worldwide Booking Requests
Madoka lives in the East Village in New York City and is currently booking performances for clubs and events around the globe.Madoka's setup is completely digital and he is fully mobile. He uses his Mac Powerbook to create intense, unique and emotionally powerful sets. With each new performance, Madoka continues to develop his self-described "Saturated Sound" with consistently fresh and forward ideas. If you are interested in booking Madoka and bringing his Saturated Sound to your event, please email us with a booking request to:
Madoka Booking
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Madoka Bio
2008 marked the 10th Anniversary of New York-based Mark Venneri's decade-long involvement in the Electronic Music Industry. From his humble start as a hyperactive teen experimenting with routing together mulitple cassette decks, keyboards and a mixer to the complex lush and layered sounds of his music today, he has always been considered a genuine innovator by both critics and fans alike. He first discovered the underground at one of the earliest warehouse parties in Philadelphia in early 1991 and has been developing a distinct vision of his musical future ever since.
Mark's earliest roots planted him as a bedroom DJ. Later, as he attended university, he began to play parties and club nights throughout the midwestern United States, while also organizing and promoting a variety of his own events as part of a select group of area DJs. During the mid-1990s, he also hosted his own college-radio show entitled Grooveshop and began to develop a dedicated fanbase. He remained relatively local in those roles for almost a decade until he felt it was finally time to take his unique sound to the international masses in 1998 with a self-produced and self-marketed EP. In 2000, he began setting the foundation for the next phase of his musical journey with the introduction of his newly- formed artist moniker Madoka.
Madoka stopped DJing for some time and spent nearly an entire year refining the direction of his music as a producer and focused on the quality and wider appeal of his new, original sounds. He materialized some solid ideas by the spring of 2001, and the creative restructuring resulted in his initial body of work entitled "MyCity". As a result of shopping around "MyCity" to the top labels and DJs of the moment, he received valuable feedback, including a call from Plastic Fantastic Records in the UK. They seized the opportunity and signed Madoka's very first track entitled “Dive”. The tune would eventually be paired with a Mo Shic and Zidan remix for wide, international release. Madoka used the accomplishment as creative fuel. With a solid production effort now under his belt and mass appeal building, he continued to shape his uniquely deep, moody but throbbing production style. Record reviews poured in and the media agreed that Madoka's new music was exciting and diverse, frequently including sublime references to the House, Techno and Trance underground scenes of the moment.
In early 2002, Mark was thrilled to accept what he considered to be the opportunity of a lifetime for his own Private Reality imprint, announcing an agreement with Andy Jarrod, Director of 3 Beat Label Management UK, encompassing the manufacturing, distribution and promotional details of future releases and becoming part of the group’s impressive stable of leading labels. Although Mark officially created Private Reality back in 1998, and had already independently distributed 500 units of his debut EP, he was excited to add a new chapter to his label’s ongoing story. In the next few years as Director, Mark successfully managed to expand the label’s roster, attracting some of the freshest international talent such as Roel, Clubbervision, Satoshi Fumi and Bart van Wissen.
Throughout the next five years, Madoka delivered a intense set of original tracks and superb remixes which found homes on labels such as Deep Records, Deep Focus, SAW Recordings, Definity, ShineMusic, Babylon and Mo-Do. His music was also featured on several compilations such as Max Graham's Shine, Trendroid's Transport, Andy Jarrod's Vapourized Volume 3, Steve Gerrard's Thinking Out Loud and Kazell's Driven. His success continued as his now-classic "Metamotional" found its way onto one of 2006's most critically-acclaimed compilations, "Ben Watts' Buzzin' Fly Volume 3". The track initially enjoyed a year of heavy rotation from Ben that began with his Radio One Essential Mix the previous February. The song continues to be a mainstay in Ben's sets today. He has also received plays and support from some of the industry's biggest players, including some of his early influences such as Danny Tenaglia, Josh Wink, Sasha, John Digweed and others like Pole Folder, Satoshi Tomiie, Max Graham, Jody Wisternoff, Nick Warren, Cass, Mo Shic and Matthew Dekay.
2005 marked Madoka's return to the DJ and performance arena. In this brief period, he has already played some of the finest international rooms in cities and countries such as Tokyo, Amsterdam, Turkey, Bulgaria and Vienna, while managing to hit some US spots including his home town, New York City. With each new performance, Madoka continues to develop his self-described "Saturated Sound" with consistently fresh and forward ideas.
Finally, since October 2004, Madoka has turned his attention from his vinyl ventures to the digital domain, launching his digital label called Metamotional, affectionately named in honor of his critically-acclaimed masterpiece on Deep Focus. Created apart from his first label Private Reality, the brand is currently exclusively distributed via Beatport. The digital imprint has previously featured innovative hits such as his dark, dirty and twisted monster "MTTM (Madoka's Tribute to Mazzo Mix)," Roel's massive remix of "Drift,” Satoshi Fumi's “Moment Of Truth,” and Leroy Carroll's "My Thinking Machine" packages. In 2007, Madoka released his first full-length album entitled "A Cure for Loneliness". The album featured an all new set of 8 original tracks which immediately set a new standard for the label.
Currently, Madoka is working on new material and a much more refined sound. Keep your ears open for some of his forthcoming tracks such as "The Sound My Soul Makes" and "Rekkolektion".
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Recent Mixes:

Madoka "The Village" (September 13, 2008)

Download “The Village” Now! | FULL SET

Here is the official tracklist to the FULL version that was NOT aired on FriskyRadio due to a 4-minute edit to better accommodate the broadcasts constraints of the series. The original, unedited version remained unreleased to the public until November 2, 2008.

Read what listeners had to say about Madoka's set and about the success with the series in genereal on FriskyRadio's own boards: | Comments

Madoka
“The Village”
A Promotional DJ Mix Featured on
Frisky Radio Loves New York
Recorded On: September 13, 2008
Originally Aired On: September 20, 2008
Recorded At: MetaStudios, NYC

Running Time: 128 minutes
Encoded Rate: 320kbps
Encoded By: + relate

Release Filename: madoka_the-village_(september-13-2008)_320kbps.mp3
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Tracklist:
M83 “Strong and Wasted” (EMI)
JC Freaks “The Rock” [Oracy's Night March Redox] (Wandering)
Kiki, Sasse “Belvedere” [Till Von Sein Mix] (Mood Music)
Franck Roger “Hades” [Dubstrumental] (Real Tone)
Nufrequency feat. Shara Nelson “Go That Deep” [Version Mix] (NRK)
DKMA pres. Andrastea “Masterate” (Plastic City)
Peace Division “We Want You” (Tsuba Digital)
Sascha Dive “Annihilating Rhythm” (Drumpoet Community)
Stimming “Kleine Nachtmusik” (Buzzin' Fly)
Alex Smoke “Whirrfless” (Vakant)
DKMA pres. Andrastea “Masterate” [Notched Reprise] (Plastic City)
Matt Nordstrom “Lucky Drawls” (Saved)
Atnarko “Crazy Bout You” [Milton Jackson Mix] (Kolour Digital)
Rulers of the Deep “Planet Drum” [The Timewriter Mix] (Peppermint Jam)
Mantik “Clixces” (Planet B.E.N.)
Zampa 505 “Aurora Express” [Ken Ishii Mix] (Groovin' High)
Zoo Brazil “Kalle” (Catwalk)
Frank Omura “Day Colliders” (Moodgadget)
Jamie McHugh “Lunar” [John Selway Mix] (Underwater)
Greg Gow “No Scarves” (Restructered)
Gyle “Sulcate” (Take More Music)
Melchior Sultana “Island Boy” (*Cutz)
Sound Terrorists “New Yorker” (Faction UK)
JC Freaks “The Rock” [Reprise] (Wandering)
M83 “Strong and Wasted” [Madoka's Can't Get Enough Wrap Up] (EMI)
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Notes :
A deep, techy offering with several twists and turns and a few “Madoka Clouds” for good measure. This mix was recorded exclusively for the “FriskyRadio Loves NYC” Feature on FriskyRadio.com. The set originally aired Saturday, September 20, 2008. Much thanks to FriskyRadio and New York's own Royal Sapien for putting the spectacular 2-day broadcasting event together.
Saturday Line-up:
Steve Porter 10-11am
Indicant 11am-1pm
Royal Sapien 1pm-3pm
Madoka 3pm-5pm
Chris Fortier 5pm-7pm
One of Them 7pm-8pm
Adrian Ravelo 8pm-9pm
Blue Room Project 9pm-10pm
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My Interests

Music:

Member Since: 25/08/2006
Band Website: metamotional.com
Band Members: Madoka (M.Venneri)
Influences: I discovered the electronic music underground scene in its infant stages in early 1991, so my influences stretch wide. I love my soulful House roots (especially anything circa 1991-1994), including early MAW productions, Danny Tenaglia and any dirty, chunky, raw, sexy or tribal NYC House music. Some other highlights along the way? Terry Lee Brown Jr. and Timewriter saved my life in 1997, and Sasha and Digweed did it all over again during their undisputed Twilo years. Josh Wink and Techno were also a huge early influence since I lived through Philadelphia's first warehouse and rave glory days.

As a teenager, I always had the classic New Wave bands on HEAVY ROTATION such as: The Cure, Smiths, Depeche Mode, New Order, Echo & the Bunnymen, R.E.M. I also loved many of the great Industrial Music groups which came along a bit later such as: Meat Beat Manifesto, Front 242, Skinny Puppy, early Nine Inch Nails (Pretty Hate Machine only here, please), Frontline Assembly and anything on the once almighty Wax Trax label that contained a groove.

Today, I respect Deep House DJ Ben Watt and the entire Buzzin' Fly movement in which he's influenced. I also still need a healthy dose of good, hard, funky, metallic techno and continue to be absolutely AMAZED with most of the directions Dubstep is going at the moment. It is always fresh and takes me right back to the old skool days when I experience it. For references here, check out anything on Argon Records. Starkey from Philly is very original right now to me, as well.

I feel you can definitely hear bits of all these flavors in my own Madoka "Saturated Sound" today.
Sounds Like: It's been called my "Saturated Sound".
Record Label: Metamotional Music, Private Reality
Type of Label: Indie

My Blog

Introquotes (Taken From Private Reality Archives)

I figured I would keep the tradition going and since I am dissolving the old Private Reality website as we once knew it, I did not want to lose our famous introqoutes. Here is the complete collectio...
Posted by on Sun, 17 Dec 2006 16:52:00 GMT