Richard Leschen profile picture

Richard Leschen

About Me

An easy going vocal style that belies a knack for literary detail and story telling that's way above the typical folk singer. --- Calvin Powers, Taproot Radio

Heavily influenced by his American cowboy background. Maybe he can't ride a horse, but he certainly takes you there with his songs. --- Roger Giles, President of Devonport Folk Music Club & Auckland Folk Festival

Stormy folk music based around deft picking and strumming. The lyrics are worldly and transcend the sadly usual cliches that seem to come with the territory. ---Simon Sweetman, NZ Musican

Those guys were speaking about BLACK HORSES the solo acoustic album recorded by Robbie Duncan, Braeburn, Wellington and it can be bought HERE (and HEAVY WATERS can be purchased from HERE ).

Black Horses was listed as one of the BEST OF AMERICANA 2008 (small & independant releases) by Americana Homeplace: PRESS HERE .

Some brief and interesting notes on the posted songs:

EVE OF THE STEEL BLUE MOON (unrecorded, R. Leschen & C. Denham): A home, home, home on the reggae ballad where the gypsys and coyotes play.

WILD ROSES & SATIN (Black Horses): An Old Tyme Country Waltz tune about the economic decay of a small town - perhaps your hometown.

BIG CHIEF/LITTLE JONES (Black Horses): Freedom fighters (restless cowboys) join forces with Big Chief to fight antebellum bureaucrats: no one wins, but the guitar pickin is pretty damn good!

ADAMAN TIDE (Heavy Waters): Jam-band meets India modal in a catastrophic narrative (rescue workers are Tui Divers, vocal; Nigel Gavin, bass; Yair Katz, rods and cylinders).

HEAVY WATERS (Heavy Waters): Bluegrass ballad and title track of from Heavy Waters that features excellent fiddle work by Aucklander Coralie Usmani.

WHITE WHITE WEST (Heavy Waters): A Tex-Mex rocker from the album Heavy Waters that includes Nigel Gavin (bass) and Yair Katz (drums).
HEY- you didn't tell me about the cool video below! Check out BED MONKEY from Black Horses (Costa Botes made it!)



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HEAVY WATERS - Richard Leschen

"True and respectful to his named influences including Bob Dylan, The Grateful Dead lyricist Robert Hunter and American folk, Richard Leschen has woven a collection of narratives presented in folk-rock with touches of country and discernible kiwi flavour . Highly sentimental, the epic opening track Thanks For Calling was triggered by Hurricane Katrina putting his friends in peril, as well as contact stimulated by a surprise phone call from his father ("Dad never calls!"). Leschen writes with his heart on his sleeve, and captures the moment with cynically crafted and surreal references to worldly ways, posturing by the undeserving and aloof in front of a backdrop of Americana . The phrase title is referenced in other lyrics to water in various states: tears, river delta, clouds, rain and blood - all presented in emotional weighty contexts, tying the work together nicely. Recorded to convey timeless tradition, capturing the essence of natural Northland beauty, and to be enjoyed for years to come."
Andy Bramwell, Wiakato Times


View Richard Leschen's EPK

Water Dragon
Feedback on Water Dragon (names changed for privacy) Hi Rich Here are some comments on the water dragon film: --------- From Raphael Lipschitz: 'The pumping sound is a real turn on. For you too?' Reply from Desmundo Mundo: Yes, it certainly had an appealing rhythm to it, but I liked the way the light bulb faded away, like an old memory.---------- From an acquaintance: 'Oddly moving' ---------- From an art school lecturer (Andrew Grewsmith) I like arguing with: 'Very nice actually Desmundo – but I must admit I was expecting some funny or surprising truth about the jerry-rigged plumbing to be revealed in the last few seconds. Without this it seemed much closer to a piece of contemporary video art than I thought you’d want to go without being inoculated.'--------- My reply to him thinking that you made it (Did you?): Hi Andrew, So you're looking for a narrative? It's all there, a metaphor for getting up in the morning and going to bed at night. I don't mind video art as long as it doesn't go on for too long and it's not propaganda for some "issue". It's the endless loop stuff which reminds you there are better things to do in life. I put video under the category of cinema, which I have always enjoyed. At least you don't trip over it when you look at a painting. It was made by a friend of mine - an American scientist I worked with. Perhaps I should suggest he goes to art school or put it into the Walters Prize. He's a fan of David Lynch, and there is a similarity.--------- His reply: 'Hahaha – great Desmundo, Yes I look forward to that downtoearth coffee with you two floors up in nearish future. All best to you, Andrew' ------------ I hope you don't mind if I thought you might have made it. If not, where did it come from? I think it's very good.Cheers - Desmundo

My Interests

Music:

Member Since: 16/08/2006
Band Website: www.richardleschen.com
Band Members: RICHARD LESCHEN and CRAWFISH MAMBO are: Rich Leschen (vocal, guitar, lyrics), Craig Denham (keys of all sorts, whistles, back vocal), Peter Scott (ex Jews Brothers Band, Bravura; bass, back vocal) and Chris Koole (ex Scandalli Bros & The Warners; percussionista, back vocal).
Influences: WORDS: Robert Hunter, Peter Rowan, Stanley Brothers, David Byrne, Nick Cave, Bob Dylan, etc.MUSIC: Grateful Dead, David Lindley, Richard Thompson, Yes, John McLaughlin, Jeff Beck, Ali Akbar Kahn, Hot Rize, Old and In the Way, David Grisman, etc.
Sounds Like: Acoustic guitar and mouth, improvisational, good old time Americana.
Record Label: Heavy Waters Music
Type of Label: Indie

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