1988å¹´ã‹ã‚‰ã‚ャリアをスタートã—ã¦éƒ½å†…クラãƒ
–ã§DJã‚’é‡ãã€92å¹´ã‹ã‚‰ã¯èŠæµ¦ã‚´ãƒ¼ãƒ«ãƒ‰ã®DJã‚’å‹
™ã‚る。95å¹´ã«N.Yã«æ¸¡ç±³ã€‚音楽制作ã€MIXエンジ
ニアリングをå¦ã¶ã€‚帰国後ã€GTS / ThatLady ã®Remixを制作ã€2000å¹´ã«ãƒŠã‚¤ãƒˆãƒªã‚¹ãƒˆãƒŸãƒ¥ãƒ¼ã‚¸
ックã®ã‚¢ãƒ¼ãƒ†ã‚£ã‚¹ãƒˆã€MIXエンジニアã¨ã—ã¦æ‰€
属。2001å¹´ã«è‡ªèº«ã®ã‚·ãƒ³ã‚°ãƒ«ã€ŒMULTIPLIEZã€ãƒªãƒªã
ƒ¼ã‚¹ã€‚国内ã¯ã‚‚ã¨ã‚ˆã‚Šã‚¤ã‚®ãƒªã‚¹ã€ã‚ªãƒ©ãƒ³ãƒ€ãªã
©ã®ãƒ¨ãƒ¼ãƒãƒƒãƒ‘åœã§DJや音楽誌より高ã„評価ã‚
’å¾—ã¦ã€Kevin Sanderson,Derrick Mayãªã©ã®DJら ã«ã‚‚プレイã•ã‚ŒãŸã€‚MIXエンジニアã¨ã—ã¦ã¯Syl
vestar / Over and Over Remix,ã€Malawi Rocks / Spanish Hustleã€Susumu Yokota / Could Heaven Ever Be Like This Remixç‰ã€æ•°å¤šãã®æ¥½æ›²ã‚’手ãŒã‘ãŸã€‚02å¹´ã«ãƒªãƒ
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ºç«‹ã€‚åŒæ›²ã¯ãƒŸãƒƒã‚¯ã‚¹ï¼£ï¼¤ã€Œageha Vol.1ã€ã«åŽéŒ²ã€‚「Nite system / Get back to the undergroundã€ã®ãƒªãƒŸãƒƒã‚¯ã‚¹ã€ã¾ãŸMalawi rocksã¨ã®ã‚³ãƒ©ãƒœãƒ¬ãƒ¼ãƒˆã€ŒTHEME FROM SPACE INVADERSã€ã‚’手ãŒã‘る。06å¹´ã«å…¥ã‚Šã€Taro Kawauchiã¨Bullblastå義ã§ã€ŒInch by Inchã€ã‚’リリース。HERNAN CATTANEOã«ã‚‚プレイã•ã‚Œã‚‹ã€‚ã¾ãŸDJ EMMAã¨Remixを手ãŒã‘ãŸã€ŒInner city jam orchestra / We got the love 2007ã€ã¯ãƒ¢ãƒ³ã‚¹ã‚¿ãƒ¼ãƒ’ットを記録。続ãリミãƒ
ƒã‚¯ãƒƒã‚¹ã‚’手ãŒã‘ãŸã€ŒOMB / Freshã€ã‚‚好セールスを記録。
    Inspired by Hip Hop, Breaks and House tunes rising up in the dance music scene in Tokyo, k-sobajima got into spinning records as an 18-year-old sound engineering student. As massively playing gigs at various Tokyo clubs to build up his DJ’ing career, his musical perspective broadened to include Minimal House and European tunes while delving into artists such as Lil’ Louis, The Orb and LFO.Acquiring a DJ’ing position at Tokyo’s fabled venue, ‘Gold’, in 1992 and being part of it all dramatically spurred k-sobajima’s interest in production, mixing and engineering as well as in the club scene overseas; and shortly afterwards he relocated to New York to further pursue his new interests. After returning home in 1998, his newly developed skills began to flourish as he outputted his first remixing track, “GTS / That Ladyâ€, in 1999. In the year 2000, he officially joined NITELIST MUSIC as DJ / Mix Engineer.As a mix engineer, k-sobajima has passionately produced tremendous amount of tracks including Sylvester’s “Over and Over Remixâ€, Malawi Rocks’s “Spanish Hustleâ€, Susumu Yokota’s “Could Heaven Ever Be Like This Remixâ€. In 2001, his original track, “MULTIPLIEZâ€, received critical acclaims from diverse DJs and music magazines in Europe, where it was played not only by house DJs but techno DJs such as Kevin Sanderson and Derrick May. “X-PERIENCE†released in 2002 became the cornerstone on which his soundstyle and career as a mix engineer were built. Having integrated both progressive and electro house elements far before becoming the norm in the scene, he has also continued his DJ’ing career on a high note, spinning at Tokyo’s prestigious venues like ‘Yellow’ and ‘Womb’.k-sobajima’s recent tracks include: “X-PERIECENCE†(contained on ï¼£D “ageha Vol.1â€), “THEME FROM SPACE INVADERS†(collaborated with MALAWI ROCKS), Taro Kawauchi & Bullblast’s “Inch by Inch (2006)†(as being played by DJ HERNAN CATTANEO). In addition to these, Inner city jam orchestra’s “We Got The Love 2007â€, his latest work collaborated with EMMA, became a monster hit tune of 2006 on the domestic chart.
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