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ADAM - Arena di Avant Musica - 前音劇廠

About Me


Chin, Jun, & Tom, ADAM @ Interlace Concert,
Deptford Town Hall, London New Cross Gate
1900 pm 24 May 200
http://interlace.incalando.com/
ADAM Frenzy Sound Dialects Sequnza III Quartet @ Shunt (Un)Sound Concert II, PureGold Events, 5 June 2008
ADAM Frenzy Sound Dialects Sequenza III, Quartet
ADAM Frenzy Sound Dialects Sequenza II Trio @ Interlace Concert 24 May 2008
ADAM Frenzy Sound Dialects Sequenza II Trio
ADAM@Shunt Mov II
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ADAM@Shunt Mov III
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Song of Life Trilogy Phase to Phase
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Frenzy Sound Dialects for Sax & Guzen
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ADAM Song of Cira CD Album Poster
Arena di Avant Musica
前音劇廠
प्रायोगिकसंगीतरंगशाल ा
Prayogika Sangita Rangasala
Music theatre for interactive music, sound, body movement, visual, and mind
1, Inner experience contrast outward expression though fragments of discourse
2, Diversity of music/ or sound installation
Medium/ or video installation
Human/ or of body, mind, & text installation
Avant-garde/ Jazz fusion/ Indian classics/
electro-acoustic and electronic
Classics/ Ritual/ Opera/ Drama
3, Meditational Performance w/ new media instllation
4, Form as being in Presence, or in contrast, traditional idioms
Hyper Improvisation traditional instruments
Instant perceiveness inter-cultural
Progressive Retrogressive
Inter-retrogressive Inter-progressive
5, Inter relationship of subjectivity between multi-media with texts, visual images, installations, live electro-acoustic music.
6, Modern & traditional Dance, visual artist, collaboration w/ lots different artists.
7. Cultural conversation between east & west will be conducted.
8. A platform of all kinds of interesting thing.
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Gumolth I-Chin Li/Amis tribe, Taiwanese indigenous
As a composer and a theatrical performing artist, from 1995 to 2007, Li was commissioned by several renowned contemporary theatres like Contemporary Legend Theatre, modern dance groups like Tai-gu Tale, movie sound tracks like “My Beauty and Sadness”, and some film directors. His compositions employed widely from traditional skills to modern Avant-garde techniques, and applied broadly from ethnic fusion to modern improvised interactive theatre. He received numbers of scholarships and funds from Cultural Development Department after his graduation from National Institute of the Arts from Taiwan. In year 1997, he started researching in New York, in 2004, in Berlin, Köln and Darmstadt, and 2005, in Camperra and Sydney. In pursuit of both academic PhD and more live performance possibilities as career expansion, now he turns to London, UK. Li continues exploration by creating more modern music and interdisciplinary art theatre.
Hafay Chien-Chun Lin/Amis tribe, Taiwanese indigenous
After graduated with honour from music department, Cultural University, Chien-Chun continued her studies with Maestro Thomas Gsell in Berlin and Rome since 2003. As a Soprano, she performed regularly not only in opera concert halls with classical repertoire like Verdi’s Rigoletto, or art songs from Taiwanese most renowned composer-Tai-Hsiang Li, but also extended her singing both in modern experimental theatre and Taiwanese aborigine traditional ethnic music performances.
Waka (full name: Toshihiro Wakaike) / Indian Tabla
Waka was born in Osaka, Japan.In 1987, Waka went to Varanasi, India. For 8 years, he worked with Master Shree Keshav Rao Nayak on benares styles of playing Tabla. Later in 2001, He also worked with Master Shree Dilip Mukherjee for 7 years on Farkabad styles. Having been experienced in tabla performing art, Waka has given numerous concerts and workshops in India, Japan, Thailand and Taiwan, and four major international released records.
Yo (Full Name: Ryohei Kanemistu) / Sitar
Yo was born in Chiba, Japan. During a backpacker trip to India in 2001, he encountered the Indian instrument “sitar”. In 2002, Yo formed a jazz duo “Saraswati” in Okinawa. In 2004, he entered Hindusthani classical music department at Visva-Bharati university in India, and began his serious studies in sitar performance. Having had 6 years of experiences with sitar and North Indian music, Yo has been invited giving numerous concerts and workshops in India, Japan and Taiwan, such as Visva-Bharati university hall, Arobind Asram, International development institute(India) ,Kyoto Saga art collage(Japan), Pas36, German Culture Center, Little White House, Eslite Bookstore (Taiwan--, and so forth.
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My Interests

Music:

Member Since: 7/19/2007
Band Website: http://www.streetvoice.com/arenaavantmusic
Band Members: ・I-Chin: Electroacoustic & Piano

・Jun-jun: Vocal

・Yo: Sitar

・Waka: Tabla
http://www.myspace.com/tablawaka
Influences: ・Ami's(Taiwanese Aborigine) Traditional songs

・Indian Classical Music

・Shakti

・John McLaughlin

・Terry Reily

・Gandecha Brothers

・Nusrat Fateh Ali Khan

・Keith Jarret

・Iannis Xenakis

・Karlheinz Stockhausen

・John Cage

・John Zorn

・Igor Stravinsky

・Bela Bartok

・Gyorgy Ligeti

・Jean-Claude Eloy

・Trevor Wishart

・Radiohead

・Massive attack

・Portishhead

・Laurie Anderson

・And many more to come
Sounds Like: 大爆炸—太初

一切無有 一切始之初 謂玄冥

一切有無 一切終結 謂闇暗

玄冥之久 無以數焉

闇暗之狀 無以名焉

玄冥闇暗互逐互噬 遂形玄暗

其無期無狀無名無形無邊無際

其寒無所度 其冥無所量

週遊四擴 亦無所忌

吞噬繁衍 更無所礙

混惡積食 至無所固

然其不知其所存之期將至

貿然逕食其所遂而不知止

所逐兆兆億億週而復始 而不知所終

然兆兆億億萬萬億億兆兆 所形亦倍倍倍數加速競逐其內

所速速亦倍倍增增其所能能

僅知其之龐大無所不容

而不知其所聚其內所積其能 已曝其量而逾其所限早已矣

所累亦炙峙無所待焉 遂行聚合復融合其所積于內

因其核所融聚之大能亦無以度量

其能能所含亦早逾玄暗所抑

乍然其光現於其內 其能能輒然

顫射其外而烈 其飽脹掙扎亦無所用

顓而如撞狀 千瘡百孔而厲其形 褚而矗裂穿串

徑行刑而灼螫而終分焉

末分數堆 爆行久遠 分裂不止

其玄其暗 頓然放聲 乍謝萬千萬分萬度 無所數 無所終

其所至亦未曾竟其所止之全功

蓋其所形之銀河星系數數兆兆億億萬萬皆行分 裂演化度之焉

而玄暗之所爆炸所存尚續分焉

其形其狀其度其間亦續擴無境哉

兆億星系化境亦續分合焉

一切無有 一切有無

一切始之初 一切終之結

形續擴焉 質續增焉

數更無所數 度亦更無所度

量更無所量 然斯生於其焉

復生生不息無所止

而生命萬物交合生合於此 是謂太初

Record Label: Unsigned

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Improvisation Introduction

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Posted by on Sat, 08 Sep 2007 11:33:00 GMT